Arthur Grace, c.1990
From the Photogs III collection
This is the intro to an earlier collection, Photographers I & II (#61):
This set on photographers is a different kind of animal from all the other collections I’ve made.
First off, I’ve been shooting these for almost sixty years, but I wasn’t really conscious of them as a category or “thing” until a few years ago.
It’s different in other ways too. The pictures were hiding from me as I searched for them, and dozen of images have still not been found. Maybe at a later date.
It is unusual for me to crop pictures, very rare, but in this collection I have cropped out people, enlarged the part I wanted, and so have joined those who “manipulate” their images.
Mea culpa, mea maxima culpa.
There were criteria for inclusion in here: First, I had to have met you; second, I had to have photographed you, and lastly, I had to be able to find the damned picture. If you’re not here, it’s about me, not you. If you're in here, thanks and I appreciate your time.
Photographers III & IV is more of the same but with some changes. I’ve included in here people who are not photographers but whose life and work relate to photography in a major way.
There are designers, art directors, printers, lawyers, writers, museum directors, workshop directors and teachers, and of course, Marty Forscher, “the camera repair guy” of all time.
P.S. There are a few guys in here who were in Photographers I & II that I felt I had found better photos of.
Paper & Printing
Epson Legacy Baryta
Baryta paper has a white, smooth satin finish with the look and feel of the revered silver halide F-surface darkroom papers and provides excellent image permanence.
13x19 prints are placed on backing board inside a clear plastic bag. They are then packaged in a custom 15x21x3 corrugated box protected inside 3 inches of charcoal foam. More about shipping...
20x30 prints are shipped flat in MasterPak PrintPak Art Shipping Sleeves. A "container within a container" with multiple layers of protection.
40x60 Paper prints will rolled and shipped in a archival tube. More about shipping...
Dye-Sublimation onto Aluminum (Metal)
Transferring the print to aluminum produces a vivid, archival quality print that is scratch resistant, doesn’t require glass or framing, and is lightweight and easy to hang. More about the paper...
Metal prints are shipped in a sturdy 44x63x3 wooden crate. More about shipping...