Hands in Pockets, Paris
From the Paris collection
Finally, in 1963, I decided I had to go. I bought a 21-day excursion ticket. I stayed for four months.
I loved all of Europe, but Paris, Paris, Paris. I always came back there.
I’ve since returned a number of times, and it never disappoints. You are dealing with people who are so sure their food, art, fashion, language, women, and everything else is the best in the world. And who’s to say no?
Many people are upset with the French, and Parisians in general, for their impatience with those who do not speak French well. I rather liked it because they were always themselves, they pandered to no one, and since I was one of the imbeciles who were not fluent in French, I was always left alone to work, not accepted, not rejected, but tolerated just enough and ignored just enough to be able to work.
Who could ask for anything more?
Paper & Printing
Epson Legacy Baryta
Baryta paper has a white, smooth satin finish with the look and feel of the revered silver halide F-surface darkroom papers and provides excellent image permanence.
13x19 prints are placed on backing board inside a clear plastic bag. They are then packaged in a custom 15x21x3 corrugated box protected inside 3 inches of charcoal foam. More about shipping...
20x30 prints are shipped flat in MasterPak PrintPak Art Shipping Sleeves. A "container within a container" with multiple layers of protection.
Dye-Sublimation onto Aluminum (Metal)
Transferring the print to aluminum produces a vivid, archival quality print that is scratch resistant, doesn’t require glass or framing, and is lightweight and easy to hang. More about the paper...
Metal prints are shipped in a sturdy 44x63x3 wooden crate. More about shipping...