Head, Smiling Boy, Senegal
From the Senegal collection
I worked in Senegal in the 1970s. More than anyplace in Africa, it was a call to photograph the people.
The capital of Senegal, Dakar, was known then as the Paris of Africa. Nothing about that interested me. I was captivated by the people: fishermen, farmers, children, men, women.
I was lucky enough to photograph a Senegalese Lutte Wrestling match. It was in an open lot with a casual atmosphere. I understand that today it’s played in big stadiums with big ticket prizes and all the corresponding restrictions and protocols.
Paper & Printing
Epson Legacy Baryta
Baryta paper has a white, smooth satin finish with the look and feel of the revered silver halide F-surface darkroom papers and provides excellent image permanence.
13x19 prints are placed on backing board inside a clear plastic bag. They are then packaged in a custom 15x21x3 corrugated box protected inside 3 inches of charcoal foam. More about shipping...
20x30 prints are shipped flat in MasterPak PrintPak Art Shipping Sleeves. A "container within a container" with multiple layers of protection.
Dye-Sublimation onto Aluminum (Metal)
Transferring the print to aluminum produces a vivid, archival quality print that is scratch resistant, doesn’t require glass or framing, and is lightweight and easy to hang. More about the paper...
Metal prints are shipped in a sturdy 44x63x3 wooden crate. More about shipping...