Blue, White, Shadow, Burano
From the Burano collection
My introduction to the Italian island of Burano came about when I complained to a photographer friend, Caesar Gerilometro, about Venice. We were in Venice and I said, "Big deal the canals reflect the buildings but all the buildings are white, ivory, cream colored. There’s no intense color reflections."
He just smiled and said, “This afternoon, we go to the place you are dreaming of.”
“A ferry trip, less than an hour.”
“What is it called?”
“Where they make the glass?”
“No, that’s Murano.”
“So what’s so great about Burano?”
I spent the afternoon in sheer ecstasy. I love subtle colors. There was nothing subtle here. It was a fantasy of color also set on canals. Plus they had lace, hanging in the streets.
Best afternoon ever!
Paper & Printing
Epson Legacy Baryta
Baryta paper has a white, smooth satin finish with the look and feel of the revered silver halide F-surface darkroom papers and provides excellent image permanence.
13x19 prints are placed on backing board inside a clear plastic bag. They are then packaged in a custom 15x21x3 corrugated box protected inside 3 inches of charcoal foam. More about shipping...
20x30 prints are shipped flat in MasterPak PrintPak Art Shipping Sleeves. A "container within a container" with multiple layers of protection.
40x60 Paper prints will rolled and shipped in a archival tube. More about shipping...
Dye-Sublimation onto Aluminum (Metal)
Transferring the print to aluminum produces a vivid, archival quality print that is scratch resistant, doesn’t require glass or framing, and is lightweight and easy to hang. More about the paper...
Metal prints are shipped in a sturdy 44x63x3 wooden crate. More about shipping...