Close up of Sculpture on Duomo Roof, Milan

From the Milan collection


On my first trip to Milan in the 1960's, when I got off the plane, what I saw was a winter wonderland: ice on all the trees, on the power lines, everywhere.

Unfortunately it was my first trip to Europe and I didn’t have much cash, but what I did have was sixteen cases–yeah I know I was young and ignorant, but now I’m old and stupid.

I had to take a bus into town or pay for two taxis. I took the bus but I did get the one ice storm picture.

As always the people were great to shoot but there were other things.

While I was walking around shooting an older man stopped me and gesturing to the cameras asked me, “Have you been to the Duomo?”
    “Yes.”
    “You have gone all the way to the top?”
    “Yes.”
    “You have gone to the Castello Sforzecca?”
    “Yes.”
    “You have seen Da Vinci’s Last Supper?”
    “Yes.”
    “You have seen Michelangelo’s Pietá?”
    “Yes.”
    “Va bene. You can go home now.”

Close up of Sculpture on Duomo Roof, Milan

Milan, Italy
Kodachrome, 1971

$2,400.00

Pay by credit card, check, or over the phone

From the Milan collection


On my first trip to Milan in the 1960's, when I got off the plane, what I saw was a winter wonderland: ice on all the trees, on the power lines, everywhere.

Unfortunately it was my first trip to Europe and I didn’t have much cash, but what I did have was sixteen cases–yeah I know I was young and ignorant, but now I’m old and stupid.

I had to take a bus into town or pay for two taxis. I took the bus but I did get the one ice storm picture.

As always the people were great to shoot but there were other things.

While I was walking around shooting an older man stopped me and gesturing to the cameras asked me, “Have you been to the Duomo?”
    “Yes.”
    “You have gone all the way to the top?”
    “Yes.”
    “You have gone to the Castello Sforzecca?”
    “Yes.”
    “You have seen Da Vinci’s Last Supper?”
    “Yes.”
    “You have seen Michelangelo’s Pietá?”
    “Yes.”
    “Va bene. You can go home now.”

Paper & Printing

Epson Legacy Baryta 

Baryta paper has a white, smooth satin finish with the look and feel of the revered silver halide F-surface darkroom papers and provides excellent image permanence.

13x19 prints are placed on backing board inside a clear plastic bag. They are then packaged in a custom 15x21x3 corrugated box protected inside 3 inches of charcoal foam. More about shipping...

20x30 prints are shipped flat in MasterPak PrintPak Art Shipping Sleeves. A "container within a container" with multiple layers of protection.

40x60 Paper prints will rolled and shipped in a archival tubeMore about shipping...

Dye-Sublimation onto Aluminum (Metal)

Transferring the print to aluminum produces a vivid, archival quality print that is scratch resistant, doesn’t require glass or framing, and is lightweight and easy to hang. More about the paper...

Metal prints are shipped in a sturdy 44x63x3 wooden crate. More about shipping...